OMEGA is an immersive exhibition conceived as a passage through the fundamental states of the universe.
The project does not present the cosmos as a distant, silent, contemplative space. It approaches it as an overwhelming force, a field of tension, vibration, matter and light that demands the full attention of the viewer.
Filmed largely through macrophotography, the works reveal microscopic events that appear cosmic in scale. Pigments, liquids, solvents and physical reactions become nebulae, stars, particles and explosions. OMEGA uses the resemblance between the infinitely small and the infinitely large as its central artistic language.
The exhibition unfolds as a sequence. First, the emergence of everything. Then, the invisible laws that allow matter to exist. Then, the fragile balance between forces. Finally, the collapse and renewal through which the universe continues to transform.
At the boundary between science, cinema and immersive art, OMEGA does not try to explain the universe from the outside. It invites the viewer to enter it from within.
The project does not present the cosmos as a distant, silent, contemplative space. It approaches it as an overwhelming force, a field of tension, vibration, matter and light that demands the full attention of the viewer.
Filmed largely through macrophotography, the works reveal microscopic events that appear cosmic in scale. Pigments, liquids, solvents and physical reactions become nebulae, stars, particles and explosions. OMEGA uses the resemblance between the infinitely small and the infinitely large as its central artistic language.
The exhibition unfolds as a sequence. First, the emergence of everything. Then, the invisible laws that allow matter to exist. Then, the fragile balance between forces. Finally, the collapse and renewal through which the universe continues to transform.
At the boundary between science, cinema and immersive art, OMEGA does not try to explain the universe from the outside. It invites the viewer to enter it from within.
About
EVERYTHING
The work evokes the beginning of all things: the birth of light, the first expansion, the first movement out of darkness. Created inside a microscopic drop of ink, it transforms a minute physical event into an image of cosmic origin.
Presented on a large vertical LED screen or through video projection, Everything confronts the viewer with a dense and powerful visual sequence inspired by the Big Bang. The soundtrack is repetitive, massive and physical, turning the piece into an experience of pressure, rupture and emergence.
This is not a distant image of creation. It is creation as impact. A beginning before form, before stability, before the possibility of order.
Presented on a large vertical LED screen or through video projection, Everything confronts the viewer with a dense and powerful visual sequence inspired by the Big Bang. The soundtrack is repetitive, massive and physical, turning the piece into an experience of pressure, rupture and emergence.
This is not a distant image of creation. It is creation as impact. A beginning before form, before stability, before the possibility of order.
LUMINANCE X RESONANCE
Luminance and Resonance form the central moment of equilibrium.
Presented on two facing LED screens, the installation places the viewer between two expressions of the same principle. On one side, light, surface and stellar movement. On the other, vibration, matter and hidden structure.
Together, the two works create a mirrored dialogue between the cosmic and the quantum. They show that equilibrium is not stillness. It is a continuous exchange between forces, a tension that holds matter together while keeping it in motion.
The audience is seated at the center of this dialogue, not as a spectator facing a single image, but as a body placed inside a field of balance.
Presented on two facing LED screens, the installation places the viewer between two expressions of the same principle. On one side, light, surface and stellar movement. On the other, vibration, matter and hidden structure.
Together, the two works create a mirrored dialogue between the cosmic and the quantum. They show that equilibrium is not stillness. It is a continuous exchange between forces, a tension that holds matter together while keeping it in motion.
The audience is seated at the center of this dialogue, not as a spectator facing a single image, but as a body placed inside a field of balance.
Project Team
Thomas Vanz
Artist
Anna Gagarina, Georges de Sent Mars
Curators
36 degrés
Producer
Odon de Freminville
Founder
Georges de Sent Mars
Dreamlaser, TSEH team
Design
R.J.S. (Roman & Zhenya Shtein), Maria Kazennova
SMM
Alyona Tumanovskaya
Video Engineer
Alexander Tugov
Engineer
Nikita Flotsky
Chief Engineer
Anton Vasin
Technical Director
Nikita Pechenkin
Director of Communications
Karina Nazina
Producer
Olga Artemyeva
Architect
Liza Udalova
Technical Director
Alexander Istomin
Creative Director
Anton Kolodyazhny
Commercial Director
Denis Chuchko
CEO
Andrey Tuboltsev
